painted A Still Life with Peaches and Grapes on a Marble Ledge in 1803-1889  Related Paintings of Johann Wilhelm Preyer :. | Prunes and grapes on a damast tablecloth | nuts and a glass on a marble ledge | A Still Life with Peaches and Grapes on a Marble Ledge | Grapes | A Still Life with Peaches and Grapes on a Marble Ledge |
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Robert Alexander Hillingford
(1825-1904) was an English painter. He specialized in historical pictures, often battle scenes. Contents He was born in London on January 28, 1828, and studied in Desseldorf in 1841 for five years and before traveling to Munich, Rome, Florence and Naples, where he married and worked for several years, producing paintings of Italian life. One painting from this period entitled The Last Evening of the Carnival was exhibited at St. Petersburg in 1859. He returned to London in 1864, and first exhibited at the Royal Academy in 1866; it was at this time that he began to work on historical subjects, especially of the Napoleonic Wars. He was a regular exhibitor at the Royal Academy, British Institution and at other galleries. While he was attracted to costume pieces such as An incident in the early life of Louis XIV and During the wanderings of Charles Edward Stuart', he also included some contemporary military scenes including his 1901 RA painting South Africa, 1901 - The Dawn of Peace. Wellington at Waterloo Lord Hill invites the last remnants of the French Imperial Guard to surrenderThe original paintings often come up at auction, and, with a large amount of the collection dispersed in 1998, the original paintings are widely scattered.
COYPEL, Charles-Antoine
French Painter, 1694-1752
Cosimo Rosselli
Italian 1439-1507 Cosimo Rosselli Gallery Born in Florence, at the age of fourteen he became a pupil of Neri di Bicci, and in 1460 he worked as assistant to his cousin Bernardo di Stefano Rosselli. A first youthful work of Cosimo mentioned by Giorgio Vasari is the Assumption of the Virgin altarpiece in the third chapel on the left of the nave in Sant'Ambrogio in Florence. In the same church, on the wall of one of the chapels, is a fresco by Cosimo which Vasari praises highly, especially for a portrait of the young scholar Pico of Mirandola. The scene, a procession bearing a miracle-working chalice, is painted with vigor and less mannerism than most of this artist's work. A picture painted by Rosselli for the church of the Annunziata, with figures of SS. Barbara, Matthew and the Baptist, is in the Academy of Florence. Rosselli also spent some time in Lucca, where he painted several altar-pieces for various churches. A picture attributed to him, taken from the church of St. Girolamo at Fiesole, is now in the National Gallery of London. It is a large retable, with, in the center, St. Jerome in the wilderness kneeling before a crucifix, and at the sides standing figures of St. Damasus and St. Eusebius, St. Paula and St. Eustochium; below is a predella with small subjects. Though dry and hard in treatment, the figures are designed with much dignity. The Berlin Gallery possesses three pictures by Rosselli: The Virgin in Glory, The Entombment of Christ, and The Massacre of the Innocents. In 1480 Rosselli, together with the chief painters of Florence, was invited by Pope Sixtus IV to Rome to assist in the painting of the frescoes in the Sistine Chapel. Three of these were executed by him The Destruction of Pharaohs Army in the Red Sea, Christ Preaching by the Lake of Tiberias, and The Last Supper. Rosselli's Sistine frescoes were partly painted by his assistant and son in law Piero di Cosimo, who was so called after Cosimo Rosselli. His chief pupil was Fra Bartolomeo. According to Vasari, Rosselli died in 1484, but this is a mistake, as his is known to be living on 25 November 1506